Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Giovanni Battista Gaulli Called Baccicio
Portrait of Cardinal Leopoldo de' Medici

ID: 88017

Giovanni Battista Gaulli Called Baccicio Portrait of Cardinal Leopoldo de' Medici
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Giovanni Battista Gaulli Called Baccicio Portrait of Cardinal Leopoldo de' Medici


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Giovanni Battista Gaulli Called Baccicio

Genoa 1639-Rome 1709  Related Paintings of Giovanni Battista Gaulli Called Baccicio :. | The Continence of Scipio | Painting depicting historical episode between Scipio Africanus and Allucius | Triumph of Bacchus and Ariadne | St John the Baptist Preaching (mk05) | Triumph of Franciscan Order. Rome, Church of the SS. Apostoli. |
Related Artists:
CARLEVARIS, Luca
Italian Baroque Era Painter, ca.1665-1731
Cornelis Dusart
1660-1704 Dutch Dutch painter, draughtsman and printmaker. He was the son of the organist at St Bavo in Haarlem and one of the last pupils of Adriaen van Ostade. He became a member of the Haarlem Guild of St Luke on 10 January 1679 and served as its dean in 1692. Dated pictures by Dusart have survived from almost every year between 1679 and 1702. Two of his earliest pictures of peasants relied heavily on compositions by van Ostade: Mother and Child (1679; Dresden, Gemeldegal. Alte Meister) and Woman Selling Milk (1679; sold Amsterdam, Muller, 16 Oct 1928, lot 9; the original drawing by van Ostade is in Paris, Fond. Custodia, Inst. Neer., see Schnackenburg, 1981, no. 132).
Reginald Marsh
American Social Realist Painter, 1898-1954,American painter, printmaker and illustrator. He returned from France to the USA with his American parents, Fred Dana Marsh (1872-1961) and Alice Marsh, who were also artists, in 1900. In 1920 he graduated from Yale University, New Haven, CT, where he had been art editor and cartoonist for the Yale Record. He moved to New York and became staff artist for Vanity Fair and the New York Daily News. By 1923 he had begun painting scenes of street life in New York in oil and watercolour. His first one-man show was held at the Whitney Studio Club in 1924. In 1925 he joined the New Yorker, to which he contributed regularly until 1931.






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